Check out this awesome backwoods local folk band! The Hobosexuals are St. Louis natives and recorded their 2012 debut album in Columbia, MO. The album, “No Bull Honky, Just Honky Tonky,” reminds us of just why we love Missouri. Listening to this album is like a relaxing drive through the farmlands of the Midwest to a barn-raising hoedown! Banjos, washboards, and loose folk harmonies, all recorded in a homey, casual style, will leave you feeling right at home as you listen. Meanwhile, the lyrics of these songs tell stories of anarchy, of love, and of day to day struggles. Join these outlaws and bar flies and, if you like them, catch them performing live at venues around St. Louis frequently!
“Pigs,” “I Ain’t Takin’ You Home Tonight,” “Mean Jean,” “Gettin’ Robbed (a true story”
Huerco S. is an electronic music producer/DJ based in Kansas City who's been steadily releasing material over the past few years on labels such as Wicked Bass, Opal Tapes, Future Times, and Prohibito. His work has been gaining notice from the underground electronic music community, appearing in online publications Resident Advisor and XLR8R. KWUR was lucky enough to have him perform a DJ set in the Gargoyle for the KWUR Week 2013 Electronic Showcase. In case you missed out on that, I asked him to put together a mix that I played on my show last month. Included in the mix are some of Huerco's own tracks that will be released on his first LP due out later this year. Since he's such a nice dude, I also asked Huerco a few questions to go along with the mix. Check it out and enjoy!
Describe your sound in two words
What’s your production process like?
Ritually turning mundane tasks into something of great purpose. I'm always drawing parallels between the act of making music and the act of, let's say building an earthen mound. The repetitive nature of the work is something I enjoy.
How did you get in to electronic music?
During high school I was mostly listening to hardcore/noise/punk and eventually got burnt out on that really aggressive sound. The soulful and upbeat nature of drum & bass and jungle made a great segue.
What are some of your influences, musically or otherwise?
Pre-Columbian America and Kansas City Jazz.
What are you looking forward to for the second half of 2013?
Touring is a big one for me. I'll be heading to Europe for the first time this June, so excited. Also looking forward to working in collaboration with some friends. We'll see.
You’ve got a full-length album coming out sometime soon. How’s that production been compared to releasing EPs?
For this particular release I wanted to showcase a more "experimental" side to my production. I really admire people like Rene Pawlowitz aka Shed. His full lengths are absolutely mental and all over the place, yet his EPs generally consist of dancefloor related material. I just want to do it all and I don't see any reason why I can't.
How is it being based in KC? What’s the scene like?
It's lovely really. Rent is ridiculously cheap, so just in the fact I don't have to work 60hrs a week to survive allows me time to work. The city itself is always a source of inspiration, the architecture, the isolation. As far as a scene goes it's just me and my friends.
What have you been listening to recently / releases you’re looking forward to?
My taste lately has been really reflective of the weather (crisp, bouncy, warm, angular, gleaming). Really been lovely Funkineven's NTS radio shows, stoked for the Kyle Hall LP, been listening to a lot of New Musik.
You’ve had digital, vinyl, and cassette releases so far. How’s that experience been and do you have any preference?
Digital and cassette are good in there own right, but I really only prefer to release on vinyl from here on out. I do believe however there will be a CD accompaniment to the 2xLP coming out this summer. I just love the tactile relationship you can have with a record. Never really felt that with digital or tapes.
Weirdest or most exotic place you’ve performed so far?
Haha California is pretty exotic for me, just got back a couple weeks ago…such a trip. I played packed in a laundry room in Montreal, that was pretty insane.
You’ve released under the alias “Royal Crown of Sweden,” aka “R.C.O.S.” Any plans for a “H.U.E.” release? Any different approach when releasing under an alias?
Hahaha you caught that. Wasn't sure if anyone would get it. Yeah I generally use an alias as a break or departure from what I'm currently doing. So for the RCOS stuff i really just wanted to make House tracks and I felt like that wouldn't necessarily fit as Huerco S.
If you had a time machine when and where would you go?
1340s North America, would be lovely just to walk around and experiencing this massive continent free from our corruption.
We're making an effort to ressurect the blog – start checking back here for KWUR news (there will be plenty of it this semester) and random musings. This is something of a random musing, but first some quick KWUR newses:
– Spring programming is officially ON! Check http://kwur.com/schedule/ to see what's happening for the next few months, and of course, tune in on our stream or 90.3 FM.
– Stack sessions are coming back! Stay tuned for more info.
Now on to the post. This is precipitated by today's news that the new My Bloody Valentine album is set to drop some time in the next few days. It's about time. I'm going to pretend that this latest bit of news is totally reliable, and ask: What are we supposed to listen to for the next 2-3 days until the album comes out (besides the KWUR stream)?
I think the answer is a KWUR-prescribed helping of shoegaze, while avoiding MBV at all costs. First, this regimen could help ease the massive level of disappointment that you might experience upon hearing the new album, which is probably the most anticipated album in the entire age of indie music. If it stinks, you can just put the old MBV stuff back on, and even have some new shoegaze artists for your consolation. Furthermore, checking out some of KWUR's favorite shoegaze might help expand your tastes beyond the narrow range of big-name shoegaze bands, who have a near-oligopolistic standing in the genre. Finally, there is something about shoegaze that makes it fit in very well with the St. Louis spring, where you have those random bursts of 70-80 degree days. The basic features of shoegaze music (loudness, melodicism) complement the ecstatic sensory overload that I tend to associate with this type of weather.
Here are some of my favorites. I believe we have original physical copies of all of these albums in the station, too. Cool! Please comment with your own links and suggestions.
The Boo Radleys
The atmosphere of their music is a little lighter and airier than most shoegaze tends to be, but when they go into blister mode, they blister with the best.
All Natural Lemon & Lime Flavors
One of the only shoegaze bands I've heard that can jangle, rock, bleep, bloop, and screech all in one song.
One album wonder (2003's Velocity:Design:Comfort), but the album is an amazing combination of modern electronics and shoegaze.
Basically everything they do is completely percussionless, slow, dense, and reverby.
Questionable combination of shoegaze and alt rock machismo. But often enough, they get it just right (hear: chorus of Duel).
Hey y'all, looks like Mr. Jobs approved our app, and it's now available in iTunes. It is identical to the Android app in layout and function, but runs on your fancy iPhone instead. 21st century, it's nice to meet you.
This past Saturday, some of KWUR's most athletic DJs faced KSLU in the annual Kickball match at Tower Grove Park.
We put up a good fight and were even winning for a little bit. Only a few DJs kicked over the ball, to the relief of everyone.
Sadly, KWUR lost. But! We were still the team with all the Mike's Hard Lemonade.
Click on any of the photos to see more classic shots from Saturday's game.