Archive for the ‘Album Review’ Category

Local Artists of the Week Oct 17-23

Monday, October 25th, 2010

Our top played St. Louis artists this week are:

Local New Releases:

Sex Robots – Night Moves

Nightmoves is the 2nd album from the St. Louis punk rock trio, Sex Robots. The album shows the group’s influence from the Jam and Buzzcocks with fast electric guitar and prominent drums combined with clever lyrics that have a pop sensibility.

Favorite track: “Not Gonna Take My Heart”


Art Majors – The War of Wealth

Art Majors presents a saturated, lusty, Indie-garage rock sound locked together by Michael Roche’s yearning baritone. This band is great at building momentum and tension and sustaining it. Percussion is fairly unconventional, hiding behind and supporting their round instrumental sound rather than overwhelming it. The War of Wealth features some lovely organ work, especially “Race From The Hotel” (probably the best one here). “Guillermo” gives a great taste of the band’s ability to create balanced interplay and “Flor De Mariposa” is a wistful tune bordering on the ethereal.

Favorite track: “Race From The Hotel


If you are in a St. Louis band and would like your cd considered for airplay and a review, email


Album Review: Bottoms Up Blues Gang’s “Handle It”

Thursday, October 7th, 2010

WC Handy may have written a song named the “St. Louis Blues”, but it’s not really about St. Louis, is it? It’s really about a bad woman from St. Louis. I’ve met a few bad STL women myself, but does the song really command it’s title? On their newest album Handle It, the Bottoms Up Blues Gang have penned a song that would suit the name quite nicely. It’s called the “South Broadway Blues” and it kicks off the disc with a pitch perfect tune about hopping between blues venues on S. Broadway.


St. Louis’ very own BUBG has just produced this phenomenal new album that combines the beautiful, soulful vocals of Kari Liston with really tight instrumentation from guitarist Jeremy Segel-Moss along with a host of appearances from the rest of the Gang. This album hits many different styles from the New Orleans feel of “First Of May” to the sweet, wrenching intimacy of “If Only.” Although it may sound inappropriate, the Gang manages to squeeze in several upbeat blues songs, to keep the album going at a good pace. This album commands repeated listens, so go check it out.


If you are in a St. Louis band and would like your cd considered for airplay and a review, email


Album Review: Beth Bombara and the Robotic Foundation

Wednesday, August 25th, 2010

St. Louisian Beth Bombara has a new band and a new sound on her recent self titled EP Beth Bombara and the Robotic Foundation. With the addition of bass and drums, her sound has matured considerably from her last EP. Expect tight bass lines, smooth drumming, and soaring vocals on every song. On “Not the World” the group proves they can do rocking pop songs as well as they can do mellow organ-driven numbers like “Beautiful You.” The instrumentation plays beautifully, but it is still the arching vocal that captures your attention on each song. I understand Beth and Co are working on a new full length, so keep an eye out for that in the coming year.

Your next chance to see Beth Bombara and the Robotic Foundation live is on September 17 at the Map Room in St. Louis.

Album Review: Kentucky Knife Fight’s "We’re All Nameless Here"

Saturday, July 31st, 2010

Kentucky Knife Fight has been running their garage blues rock all over St. Louis for several years now, and I think it’s almost time for the revolution. With the release of their second LP We’re All Nameless Here, KKF shows themselves to be the rock n’ roll force that it deserves to be. Neither on their new album nor in their live show do KKF mess around. They get straight to the music with amped-up rockers and slow burning blues.

The whole band revolves around Jason Holler’s gravelly voice that frequently stretches to its tremulous limits. Holler keys in to the rest of the Knife Fight, providing an incredibly dynamic sound. Besides ripping guitar solos, the music has nice accents from occasional banjo and blues harp, which thankfully takes cues more from Mick Jagger than John Popper.

Besides the blues garage rock that sometimes teeters on the edge of punk, this new album also features some grooving, slower numbers. KKF even touches on gypsy romps on “Always a Bride, Never a Bribe” with the help of the Monads’ Matt Shivelbine on fiddle.

Album Review: Fattback’s "EEE PEE"

Wednesday, July 28th, 2010

Fattback is a band with a great sense of humor. Lyrical content ranges from taco stands to dinosaurs, and they are equally diverse in their musical ability. On their new EP cleverly titled “EEE PEE,” they are adept at rip roaring country-rock, blues, and finger blistering straight rock numbers. Guitarist Dave Hagerty and drummer John Joern share the lead vocal duties, but it is Dave’s songs based around goofy lyrics that steal the show. Case in point: Fattback has an “educational” song implying that dinosaurs went extinct due to a blazing hot guitar solo. We also see Fattback’s softer, mellower side on “John Greene,” which pairs banjo and electric guitar solos. All of this adds up to a band of goofy guys who like to play quirky rock music really loudly. That’s just the kind of thing I expect from a bunch of boys from St. Louis.

Oh, I forgot to mention that when you buy the EP it comes with a few extras that you’ll never be able to download off the internet. The cd comes with an old school cassette tape copy and a temporary dino tattoo! All packaged inside of a pizza box! Pure awesome? Yes.

Your next chance to see Fattback is at Off Broadway with Deer Tick on August 5.